A long-term project on how to re-understand photography, begun from a structural reconstruction of a low-pixel digital photo of a deceased family member. Not a solidified landscape but an active “mapping” reactor, in which myriads of symbols related to photography are aroused, activated and recognized.

张文心关于如何重新认识摄影的长期项目，发端于使用已故亲人的一张低像素数码照片所展开的结构重置。一如其名，《映射之地》不是一个已固化的景观，而是一个活跃着的「映射」反应堆，有关摄影的众多象征物在其中被唤起、被激活、被辨认。